If Miles Davis had stopped making music in the 1950s, he would be remembered as one of the most eloquent and influential trumpeters in jazz. But Davis, an Alton native who grew up in East St. Louis, was also a visionary who wasn’t afraid to shake things up and didn’t believe in looking back. Beginning in the late 1960s, that meant venturing beyond acoustic post-bop jazz to explore the improvisational possibilities of rock.
- RT @officialjazzlon: Do You Hear The Voices You Left Behind? by @jmcl_gtr now playing on Classic Vinyl @officialjazzlon https://t.co/DTbqq9cIWy 4 heures ago
- RT @poacultura: PORTO ALEGRE: @jmcl_gtr John McLaughlin | Dia 30 de março no Teatro do Bourbon Country https://t.co/GDrbC3qbNk https://t.co/cXE5aSf7Jc 7 heures ago
- RT @abstractlogix: John McLaughlin & 4th Dimension World Tour goes to Latin America @jmcl_gtr @RanjitBarot @EtienneMBAPPE @GHusband https://t.co/bGpLg0JWJq 2 jours ago
- And got to meet again the great activist Deeyah Khan https://t.co/KdRBVR6rS4 4 jours ago